Pitchfork Media deemed the new Conor Oberst track “Ten Women” as “stultifyingly ponderous.”
Perhaps I have poor taste in music, or just enjoy pondering as if a poi dog, but I think it is the best song he has ever released. The concept is quite simple: he is reflecting on the time between the loss of someone he loved and the present day. Despite what some sites say, this is not about cheating.
The song’s narrator in the last verse says “if you come home again,” a reference to the fact that his muse has left. Given the significant passage of time as reflected in the number of women (I considered that 10 women could just mean the narrator is a player, but he makes a “fool” of these women, “trusts,” “betrays,” “thrills” and “shames” them. These are relationships not flings) and the reference to a cellar of wine, it safe to say that his muse left a long time ago (this is also reflected in the fact that she is kissing someone else’s ring).
Establishing the passage of time is crucial given the song’s real meaning is an unfading love, as reflecting straight forwardly through the lyric “I want you the same.” Further, the narrator wanted to change, he wanted to forget, the point of the 10 women. In fact the “two faces” shows he has continued options that he keeps around to hedge his bets, but “neither are you,” you being the muse. He follows the reference to neither are you to an admission that these two faces are not going to satisfy him, he will “never be true” with the two faces. This is because truth is the the original muse for which his love has not changed, hence the invitation back and promise of continuity at the end of the song.
The third verse, where the narrator pleads for a “witness” also serves to strengthen the emotion in the song. The verse establishes a loss of trust with his muse, the narrator realizes he has no credibility to promise his muse continuity, hence the desire for a witness whose “eyes will not run,” someone detached enough to prove that the narrator is being honest. And to establish that these ten women were not flings, but rather evidence of an unchanging love for the muse.
Ponderous, yes, but also incredibly interesting. Especially for a song that uses the phrase “ten women” 18 times on one song.
All of this tells me that Mr. Oberst is a heck of a poet. His music pales in comparison to Dylan, but his poetry is much more emotional than Dylan’s constant wordplay.

Reasons he is mediocre: